I was introduced to the author Hwang Bo-Reum through her non-fiction book Everyday I Read
I had a premonition that this book would not be a usual bookstore
owning story because of the cultural perspective is Asian, which means two
things: the first is that the story would not be overwrought with drama and
emotions, indeed, the general emotional feel of the story is reserved, although
underneath the placid surface of the interaction between the characters, the
characters are dealing with intense emotions; the second is that the Asian
ethos of duty, societal responsibility, and acceptance of societal assigned
role will dominate the narrative, this ethos actually significantly dominate and
motivate the plot.
A critical mindset that the reader must possess is that of
someone who lives in present day Korea, where the societal definition of
success, normality, and expectations dominates the character’s inner life. The inner
struggles and conflict that each of the characters is experiencing dominates
the stories. While western readers have similar experiences with the pressures
brought on by familial, societal, and cultural expectations, the degree of the
pressures that the Asian society undergo is orders of magnitude greater than
the western society. It is critical that the reader understand or at least
empathize with the pressures that the characters are experiencing in order to dig
deeper into the conflicts that are central to the story.
As I am reading the narrative, I was thinking about whether
the western reader would find the conflict and inner turmoil of the characters
to be surreal or overwrought. Since I am Asian, I find the author’s description
of the character’s inner life entirely believable, in fact I completely empathize
with many of the characters as I have experienced the same emotions.
The story opens with the owner of the Hyunam-Dong Bookshop, Yeongju,
pondering whether she was making the correct decision by opening the bookstore.
Her story and her reasoning set the tone for all the other characters in the
book. They are all characters that are behaving and reacting outside of the
accepted societal norms. The characters would all be considered as outcasts
from society, as they are not living up to the societal definition of being on
a path to success. It just happens that Yeongju’s story opens the story, and it
is a compelling story, involving gender roles, traditionally defined familial relationships,
and daring to live outside of traditions.
The book introduces new characters gradually, taking its
time to give the readers each character’s background, which all novels do, this
novel takes its time, slowly building the character’s story. The pace of the
character introduction is integrated within the story’s flow. I initially
though the pacing was a bit too slow, but once I understood or what I think I
understood to be the author’s rhythm, I slowed down my reader’s expectations
and went with the flow. The initial pacing was an integral part of the author’s
intention for the story’s feel.
As the number of characters began to increase gradually, and
the reader became familiarized with each character, the pace of the story starts
to pick up. This is not new to any reader of fiction, it is however, a slow
buildup, perfectly in tune with the Asian sense of rhythm of life.
Even as the pace of the story begins to increase, it is
never moving as quickly as a western novel would. Every chapter is a gentle
addition to the narrative rather than a sudden shock to the status quo. Also
contrary to the expectation of the western reader, the denouement never comes, which
may agitate some readers, I accepted the gentleness and did not expect dramatic
shifts in action. Indeed, the story ends quite gently, even though there were a
number of developments that changed the arc of the story and gives the reader a
picture of how the story and each of the characters evolves. The gradual resolution
felt natural and met with the reader’s expectations, after the reader had
slowly accepted the pace of the story for what it is. At the end of the story,
the fate of each of the characters is described simply and their stories are resolved,
without drama.
I thoroughly enjoyed reading this story, it does make me
want to find out about the continuation of the arc for each of the character,
which speaks for the author’s ability to draw the reader into the character’s stories,
which in the end is what story telling is about.
Works Cited
Bo-Reum, H. (2025). Everyday I Read: 53 Ways to
Get Closer to Books. NYC: Bloomsbury Publishing.

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