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Thursday, November 17, 2022

Volleyball Coaching Life-Santiago Ball

Volleyball people have been trying to doodle with the traditional scoring for ages now. The volleyball playing rules today are far from Dr. William G. Morgan’s mintonette game.

We have evolved from nine players on the court to six players on the court. We have incorporated a service rotation. We have gone from sideout scoring to rally scoring. The changes have evolved over the years, many of the recent changes in the rule have been motivated by people wanting to make the game of volleyball attractive to television broadcasters, obviously to get our beloved game shown on television.

The legendary Dr. Jim Coleman had experimented with applying tennis rules to volleyball, having the teams play best two out of three sets but each set is scored like tennis: the winner has to win at least six games of 15 points with a margin of two games in each set. I saw it when the USPV was barnstorming through St. Louis during their inaugural season. I don’t remember much about the match, but it all felt kind of weird to watch because of the novelty.

I was talking to my friend Santiago Restrepo about alternative scoring for volleyball earlier this week, he said he has his solution to getting more television exposure. It seemed kind of interesting, so I will present this version of Santiago-ball for consideration. See if his confidence in his rules is justified.

·       Play best 4 out of 7 sets.

·       Each set is rally score to 15.

o   The intent here is to play the last 15 points in a 25 point set and do away with the first 10 points because nothing is on the line for the first 10 points anyways.

o   This works out to playing 2 to 3.5 sets in the regular scoring.

·       Each team plays their best rotation every set. They can play setter front row if they want, very unlikely, or they can play setter back row. Players don’t rotate, front middle stays front middle all the time, setter sets from wherever they want for every point. No overlap rule. No out of rotation calls. This is like the Chinese 9-man rules.

o   Keeps the stoppage to a minimum and keeps the best players at that position playing at that position the entire match.

·       No substitution restrictions, you can sub entire platoons every point if you want. I remember watching Lindenwood under Ron Young play against Stew McDole’s Graceland team, Stew was trying to stop the bleeding and subbed six at every stoppage, I believe that NAIA had no substitution restriction. In that case the subs  still had to be recorded in the scoresheet, which slowed the game down; whereas in Santiago ball the players just run in and out of their positions in the rotation, so that there are no added stoppage for subs.

o   The intent is to put your best attackers and defenders on the court all the time against the best attackers and defenders from the other team. The players can just: “Go at it hard.” They are also playing that one position the entire match, which should keep them in the flow.

o   If your #1 middle stinks it up, just sub her. If your leftside hammer’s shoulder is hanging on by a thread, sub her. If anyone in the back row is shanking balls, sub them.

·       There is one designated server. They serve every serve. It could be anyone playing the backrow, but if that position gets subbed out, it is still the player playing that position that serves.

·       Each team gets two timeouts each set, for 30 seconds. Minimizes stoppage time.

·       That’s it. All the other rules are the same.

Some downside is that the teams are much smaller because not much playing time to be had. Which makes it unpopular in college, club, and high schools. But we are living in Santiago world, so no one cares.

Now. I am awaiting with great antici-pation for counter arguments, counter proposals, and  alternatives.

What says you?

On Books-Slowness

I have never been a fast reader. Even as a child I took my time reading unless I  was reading a rip-roaring yarn, a great story, which made me want desperately to get to the ending so that I could satisfy my greed for the denouement.

As I grew older, I still took my time reading, depending on the subject. If it was a literary work, I would take my time to savor the writing, to learn how to make that feeling that I get when reading great writing appear in my own writing. If I am reading technical books or other non-fiction books for a class or for work, I read carefully, pour over repeatedly, and copious amounts of notes are taken to be read in my own sweet time. I read to make sure I get all the substance of what the author is communicating.

But, if I am under time pressure to complete my reading, I will speed up or skim rapidly as if I had the sword of Damocles hanging over me. That kind of reading is less than satisfying as I am consciously trying too hard to be efficient, which perversely makes me less efficient. My comprehension rate during that time is the functional inverse of my reading speed, so I end up reading the same papers and books repeatedly to gain the same kind of comprehension that I would have gained if I read slowly through the first time.

The last kind of reading is the recreational kind, where I am devouring mysteries, popular fiction, and other entertaining genres. I will admit that I don’t do too much of that anymore. I don’t know why, but they stopped being interesting to me, except for certain authors and series. Considering that this is reading for leisure, I tend to read slowly as well, except when I reach a point in the story where I start to project the eventual ending and I revert to my childhood habit of rushing through the book in search of the denouement.

I rarely go back and re-read the recreational reading books, but I recently have returned to some of what I consider to be exceedingly well written mysteries series because I lacked new reading material. The experience has been mixed. For some, rushing through the book quickly was a good strategy as I have found that the plotting or the writing left much to be desired, something that I ignored or didn’t notice the first time through. Yet for other authors and book series, I realized that I missed all the details and Easter eggs the authors had left for the readers to find. I skipped right over them the first time. A reminder from the reading gods to read slowly and pleasurably.

My preference for slow reading also influences my book collecting habits. Although I love libraries as an institution, and I am a proponent of using the library as often as possible; I prefer buying my reading material from indie and used books stores online. The reason is that I cannot stand being on a two weeklong reading treadmill, trying to finish reading a book before it is due back to the library, it is not satisfying reading. I realize I can extend the borrowing period, but there is also the fear that the library would not extend the borrowing period if the book were a popular commodity.  

So it is that when I joined Goodreads I was surprised when I discovered  all the Goodreads reading contests which promote and encourage people to read as many books as possible in a selected time period, usually a year. I understand their motivation rationally: Goodreads is owned by Amazon and Amazon wants to sell books; I get it. My surprise is that there are so many who have taken on these challenges willingly. I could see where that challenge could be attractive to many people. I'm just not one of them. I had not realized that reading has attain the status of a competitive sport.

Even though my friends know me as an avid reader, I don't go through as many books as my friends think I do.

I was thinking about this as I was reading a book by Frédérick Gros, a French philosopher. The book is titled: A Philosophy of Walking. (Gros, 2011) The subject of chapter 5 of this book on walking was about Slowness. My mind immediately drew parallels between the walking experience that Gros is describing and my own reading habit of reading slowly.

Gros’ point is that the walking activity needs to be the focus of the walking activity. Indeed, there are other focuses to be undertaken as we walk: to get in shape, to race from point A to point B in minimal time. If indeed, walking is your focus, then speed should not be the focus, walking should be the focus. If one is walking while focusing on pace, then one is missing out on the greatest benefit of walking: to be absorbed in the experience of walking, to be in the flow of walking, to lose yourself in the act of walking, to gain the unconscious perspective that is walking.

Turning to my parallel viewpoint.  If indeed, reading is your focus, then reading quickly should not be the focus, reading should be the focus. If one is reading while focusing on pace, then one is missing out on the greatest benefit of reading: to be absorbed in the act of reading, to be in the flow of reading, to lose yourself in the act of reading, to gain the unconscious perspective that is reading.

Many of the things that Gros said about walking applies to my idea of reading.

Slow is not the opposite of fast. Slow is the opposite of haste. Making haste in reading, as in walking,  is to create an unnecessary and unwelcomed pressure within our psyche to hurry what is natural so that we end up in an unnatural state of haste.

Gros said that there must be an extreme regularity of paces, to apply a uniformity to walking; so it is with reading as well. In order to derive pleasure from reading, to gain perspectives of what is being read, to gain understanding, to allow the mind to contemplate the beauty, cadence, and structure of what is being read; there must be an extreme regularity of paces, to apply a uniformity to reading. This is an impossibility if the speed of reading is aligned with making haste, with consuming the words mechanistically, as opposed absorbing the meanings, digesting the ideas, contemplating the way the ideas are communicated, and appreciating the artistry of the writer.

Gros believes that there is an illusion associated with  speed, that walking speedily saves time. This illusion also exists with reading, reading quickly, and skimming haphazardously will save the reader time. What to do with all that saved time? Inevitably, it is to re-read what was missed in reading the first time while in a heated rush.

Haste and speed accelerate the passing of time; yet it also means that the reader is not fully using. The slowness of reading deepens the space that the reader inhabits in the minds of the writer, whereas reading in haste makes the space around the reading more shallow.

Walking slowly makes the natural landscape become more familiar for the walker. Reading slowly  makes the writer’s written landscape become more familiar for the reader. After all, that is the greatest of reading pleasures.

According to Gros, when the walker is fully engrossed in the act of walking, it isn’t the walker that moves, it is the landscape that moves around the walker. Same could be said about reading:  when the reader is fully engrossed in the act of reading, it isn’t the reader that moves through what is written, it is the written  that moves around the reader.

This short contemplation about reading  has led me to think about my reading habits. I realize that as I slow down the pace of my reading,  my familiarity with the author’s world grows. The more deliberate I become, the slower I read. There is much to be gained from reading slowly. I grew to be more appreciative of the writing itself. Of course, when it comes to reading a rip-roaring yarn, a great story; I will need to consciously discipline myself to avoid haste, to practice what I preach.

Works Cited

Gros, F. (2011). A Philosophy of Walking. London: Verso Books.