The beauty of having an antilibrary, is that you will always
have the books that you have stopped reading available to you to reconsider
your decision. The concept of the antilibrary came from Umberto Eco the symbiotics
scholar, as well as the author of the Name of the Rose and various other
novels. He is well known for having a library of over 30,000 volumes.
Walk through Umberto Eco's Library
Walk through Umberto Eco's Library
The antilibrary is a personal library consisting of far more
books that has not been read than books that has been read. It is a point of
pride and it is also a point of pragmatism. The point of pride comes from the owner’s
ability to distinguish between the reality that there is more knowledge that
the owner does NOT know, because there are books that they have not read, than
there are knowledge that owner does know. The point of pragmatism comes from
the knowledge that the reader has an abundance of references available at their
disposal to indulge their curiosity whenever they wish, even when they are not
on the world wide web. Most people do not have antilibraries of course, because
the habit can be expensive, the books take up a lot of space, and partly
because many people are under the delusion that showing the extent of their
knowledge is more important and impressive than showing the extent of their
ignorance.
I am proud that I have an antilibrary, not to the extent of
Eco, but I do have a collection of books that I am proud of; the majority of the
books I own I have not finished reading, although I have started reading them
at least once. There was a time that I felt guilty about the untapped
investments in paper, but I stopped feeling guilty when I realized that I would
one day go back to read the books. Ideally, I thought that I should read every
new book that I bought; the reality, of course, is that I buy more books than I
can read at one time, and I never not buy books because I have unread books on
my shelves; those books that I have not
read accumulates exponentially with each visit to the bookstore or, with each
visit to a bookstore website.
This essay is about those books that I have left behind but
have returned to after a hiatus to finish and the reason for these respites
from those books.
I usually give up on a book because it just did not hold my interest, I found the slog
of reading discouraging, I became easily distracted as I am reading, I disliked
the writing, or I found the subject matter not as engrossing as I had imagined.
There are many books that I had given up reading, as my basement full of books will
attest. There are times, quite often actually, that I will find a treasure
trove of unread books as I am rummaging through my basement. I will pause in my
search for whatever it was that I was searching and think: “I forgot I had that”,
or “that sounds interesting”. It is like
opening presents on Christmas morning, there are as many presents as there are
forgotten books.
After the initial delight of discovery, I would inevitably
ponder the reasons for abandoning a book. I would search my memory for the
reason: was it the writing? Was it the subject? Was it the organization? What
was the reason for my abandoning a book that had once held my interest long
enough to pay for it, invest time and energy in initially devouring it?
One book that I can recall which followed that fate is a
book that had become one of my favorites. The Zen and the Art of Motorcycle Maintenance
by Robert Pirsig, a title that was thrown around in late night college dorm
room bull sessions for many decades. I have started that book numerous times
and never got traction with the story. The beginning was rather slow, and the
narrative really did not gain momentum for many pages. The characters were not interesting,
and the pace of the initial pages were hardly engrossing. I had heard once that
one needs to give a book 50 to 100 pages, if one still cannot get any traction
then it is time to stop reading. I am not sure I agree with that assessment,
but I soldiered through the beginning a few times and left it alone for
extended periods of time. The last time I started the book, I felt like I flew
through the initial pages, as the words had become familiar since I had read
them so many times previously, that momentum carried me to the point where
Pirsig introduced Phaedrus, and that was when I got hooked. As it became clear
that when Pirsig spoke of Phaedrus, he was speaking of himself, that was when the
book opened for me, as the reading experience became an exercise in mind expansion,
without the chemical aids. It is still
one of my favorite books.
Another book that is on my pantheon of great books but did
not hold my interest in my first few forays into its pages was Magister Ludi
by Herman Hesse, it is also known as The Glass Bead Game. This book goes
back to my callow youth, Hermann Hesse was the author that adolescent boys read
because it was deep and ostentatiously cerebral. We were all trying to out deep
each other so Hesse was the means to do it. I had started the Magister Ludi
a few times without the story grabbing my attention, the fact that it was in a mythical
Germanic setting that did not have any indication of identifiable time frame
made it intriguing but also confusing. I
had devoured Siddartha, Narcissus and Goldmund, and Steppenwolf in short
order, but that fact made no difference
in my ability to be interested. I made
numerous attempts without any success. It
was not until I left the book alone for a number of years before returning to
it that I was able to not only finish the book but be completely absorbed into
the cloistered intellectual world of Castalia. I eventually
reread this book a few times because it made such an impact on me.
So, what was the problem the first few times? Was it the
writing? Was it the subject? Was it the organization of the narrative?
It was none of those things.
The truth of the matter is that I was not ready to read
those books, my maturity level, my intellectual depth, my ability to decipher, analyze,
and integrate all that was presented to my eyes by the author were not
developed enough to appreciate the work. It was not that the book was not good
enough to appeal to my mind, it was that my mind was not good enough to respond
to the appeal. My maturity, intellectual
and emotional maturity, was not ready to understand what the author was trying
to tell me.
As we age, we will, I hope, be able to integrate all of our
life experiences and knowledge into our continuously evolving intellect; and as
our intellect evolve, we should be able to understand ever more complex
concepts in addition to be growing emotionally to be more accepting of ideas
that were once out of the ordinary, foreign, and perhaps even repulsive to our
provincial mindsets. The ability to return to the books that had stopped us in
our tracks is certainly a sign that our opinions and intellectual depth are
growing and evolving along with our life experiences.
I now look at my cluttered basement with a newfound
appreciation. The boxes of unread books become the object of my attention just
as the shelves of the finest bookstores without having to leave the house. I
have also gained an appreciation for my young and callow self for having the
foresight, taste, and judgement to have bought these books in the first place,
well before he was able to appreciate the richness of his choices.
This idea is not new, The New York Times Sunday Book
Review dedicates a column to authors’ reading habits, the By the Book
column. One of the questions is: which book should not be read until after the
reader turns 40. It is new to me however, since I had not thought about it until
recently.
Unfortunately, not all books fall into this category, I find
that my younger choices in books are a mixed bag. I had a tendency to follow
the trend and I bought many books that had not withstood the test of time, but
that too is a lesson itself.
Ultimately, the understanding that I just was not ready for
the book has taken the guilt, impatience, and self-loathing out of my emotional
response to seeing all those books in my basement and made me achieve equanimity,
at least in that regard.